This series concentrate on the political tension and ideological conflict that one experiences in the post 9.11 world. For instance, Hero poses the question of how a hero is made in our society. It questions whether there is indeed a difference between Communist propaganda and other types of ideological construct. Fire Drill, on the other hand, exposes the human desire for the rehearsal of anti/violence. In the vast darkness of danger, is drilling the most effective solution for one’s survival? Furthermore, what is behind the psychology of the collective fear and the organized activity of such rehearsal?

This series examine the tension between documentation and fictionality. Is it still possible to treat a primary text such as Shakespeare’s Romeo and Juliet with the same intellectual consideration as contemporary Journalism? As distant as these two texts might be (Journalism vs. Drama, Classic vs. Present), both paintings are about the basic human conditions, about the fundamental struggles in one’s life. Hence the question becomes: what provokes the mind’s eye? The intellectual interpretation or the emotional content of the paintings? Can one event be read both conceptually and emotionally? Central Park is based on the story of cayote Hal captured in Central Park and died on March 30, 2006. Romeo and Juliet is based on the Chinese classic love story entitled Liang Shanbo and Zhu Yingtai.