This series deals with the issues of memory and fragmented narrative. When we claim that we remember the past, to what extent can we fully claim that memory? Do we collect mementos of the past because we are living in the present or we are in fact living in that past, which can only materialize into fragmentation of the present? Furthermore, when one composes a visual reality, to what extent the realism of narration also constitutes the very making of the myth of time and remembrance?

　梦里花落知多少　Suspension　(160 x 180 cm)

　End of the World　(150 x 180 cm)

　Red boy　(150 x 180 cm)　2006

　qunianxiatian　(150 x 180 cm)

　when we were in love　(150 x 180 cm)　2006

　willow and peach blossom　(150 x 180 cm)